Este artículo aborda el proceso de figuración del nuevo frente costero para la ciudad de Posadas, Misiones, Argentina, considerando la construcción discursiva del objeto costa en un corte diacrónico del corpus compuesto por planes y proyecto de intervención urbanística. Entiendo por figuración el haz de representaciones e imágenes proyectadas del espacio costero configurado en un escenario particular: la elevación de las aguas del río Paraná por la formación del embalse de la represa Yacyretá. Se toman en consideración diversos aspectos vinculados (...) con la formación discursiva sobre el desarrollo, movilizados para la implementación de políticas urbanas, que ponen en escena el problema de la articulación entre el plano discursivo y el plano físico de las transformaciones urbanas. Así también se describe el dispositivo enunciativo del proceso de figuración, la posición de sujeto predominante y sus efectos de sentido. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

This paper explores the way in which Agamben takes part in the dialogue on “impolitical communities” that was inaugurated by J. L. Nancy and was soon followed by authors like M. Blanchot, J. Derrida and R. Esposito, among others. Although Agamben’s ontological exploration of ‘whatever being,’ followed later by the political idea of form-of-life, are still very close particularly to Nancy’s work, the article will show in which ways Agamben’s view of a political coming community explores different paths and moves (...) in unusual registers, that help to understand in new ways the kind of inoperativeness involved in a contemporary rethinking of community. The notion of experience of thought as potentiality and its relationship to that “tiny displacement” of the world which Agamben seems to connect with his idea of a coming community will play a central role in the analysis. (shrink)

This paper traces and examines the different connotations given to the notion of “tragedy” in Paul Klee’s thought. From his early reflections on, Klee relates this notion to an intermediate and conflictive condition that characterizes human existence—an existence that takes place between heaven and earth, between the ethereal and the earthly. This essay focuses on how the connotations Klee gives to tragedy in different moments of his reflections transform the way he conceives the work of art. Hence, I will attempt (...) to show how Klee’s reflections relate the tragedy of human existence not only to the figure of the artist, understood as a tragic figure, but also to an idea of tragedy that the work produces and represents in its own particular way of coming into being. Thus, this paper poses a new approach to Klee’s suggestive proposal on modern art as well as to the meaning given to pictorial representation throughout his thought and artworks. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as its (...) very condition. (shrink)

Este texto se propone responder a la pregunta acerca de la relación entre estética y filosofía de la historia a partir del examen de las teorías estéticas de Winckelmann (mediados del s. XVIII) frente a las reflexiones acerca de la historia de Burckhardt (finales del s. XIX), atravesadas ambas por el significado que adquiere en cada una de ellas el concepto de lo clásico. La idea es mostrar cómo una historia del arte como la de Winckelmann, cuyo criterio es el (...) arte griego como canon, trae necesariamente consigo una filosofía de la historia que la sustenta y la hace posible; a la vez que una reflexión sobre la historia como La de Burckhardt, que se presenta a sí misma como una respuesta a la tradición neoclásica y romántica que la precede, refleja tras de sí un pensamiento estético propio. (shrink)

What would it mean to do justice to testimonies of traumatic experience? That is, how can experiences which do not fit the customary scripts of sense-making be heard? Whereas processes of official memorialization or legal redress often demand that victims and survivors convey their experiences through familiar modes of narration, in my project on ‘grammars of listening’ or ‘gramáticas de lo inaudito’ I want to ask how it might be possible to hear these experiences on their own terms and what (...) the challenges are that we encounter when trying to do so. What I ultimately want to argue is that doing justice to trauma requires a profound philosophical questioning of the conditions that allow us to listen to testimony, and a true reckoning of the responsibility that we bear as listeners. (shrink)

Donald Davidson intenta reconciliar dos posiciones tradicionalmente opuestas: la positivista, naturalista, y la hermenéutica. Sin embargo, aunque sostiene la identidad mente-cerebro y la explicación causal de la acción, en su teoría tienen más relevancia la autonomía e irreductibilidad de lo mental así como la relación de justificación que existe entre razones y causas y que fundamenta las explicaciones de sentido común. Argumentaré que su intento conciliador no ha tenido éxito ya que opta claramente por el proyecto interpretativo frente al explicativo. (...) Ese proyecto se basa en la creencia de que compartimos universalmente ciertos principios de raciona-lidad que hacen posible la interpretación mutua por lo que tiene problemas a la hora de explicar el relativismo y la irracionalidad. Además, considera que las únicas explicaciones válidas de la acción son las de la psicología popular. (shrink)

First the rationalist tradition and then the cognitive revolution put limits on the philosophy and social sciences with regard to the analysis of emotion, of irrationality in mental events and actions, to the reduction of our representations to conceptual elements, and so on. This fact caused an increasing interest in these topics. In this paper, we intend to claim the significant relations among these three issues: emotion, selfdeception and non-conceptual content, with two aims: i) to analyse the relation between non-conceptual (...) content of emotion and the phenomenon of self-deception; and ii) to explain how self-deception canbe overcome by the conceptualization of some non-conceptual elements of emotion. (shrink)

This essay presents a possible interpretation of the concept of beauty in Kant’s Critique of Judgment, which was itself suggested by Kant in the two introductionsto the text and gained force among the Early German Romantics and Idealists, introducing an alternative point of view into the concept of beauty and the role it plays in the relationship between reason and sensibility, man and world. Through the analysis of the four moments of the Analytic of the Beautiful, beauty will manifest itself (...) as the realm in which a special encounter between human freedom and nature takes place. Therefore, and as an alternative to some traditional interpretations of Kant’s aesthetic investigation, which understand Kant’s judgment of taste exclusively on the basis of its subjective conditions, the judgment of beauty will present itself also in the relationship it establishes with the objects of nature. (shrink)

This study explored whether parental directions about location differ by socioeconomic status and whether children’s performance is associated with parental spatial directions. We designed a task in which parents hid a toy in one of five identical boxes in a small-scale space, and then verbally guided their children’s search. Middle-SES parents employed more language in general than low-SES parents. However, groups used the same amount of spatial terms, suggesting that providing effective spatial directions is probably a matter of quality than (...) quantity. Parents differed in the use of frames of reference; withLSESparents scarcely using them, which resulted in ambiguous reference.MSESparents showed a higher rate of person frames of reference and proximity terms, and their children performed better in the task. Our results suggest that spatial communication including person frames of reference combined with proximity information might be an effective strategy to communicate location. (shrink)

In Communitas: The Origin and Destiny of Community, Roberto Esposito develops a destructionist reading of political philosophy, interested in tracing modernity's attempt to constitute the political as a radical negation of our exposure to others. If the task of contemporary political thinking is to interrupt the myth of the common, without falling back completely into the negative and self-destructive power of immunization, political philosophy must be confronted with itself, searching within itself for the traces and points of departure – hermeneutic (...) supports – for such a destructive gesture. Esposito finds and develops these traces in a genealogical line that, starting with Hobbes, goes through Rousseau and Kant and ends with Heidegger and Bataille. By way of this genealogy, Esposito intends to show how modern philosophy would already have started to interrupt the dialectics between the immunization paradigm and the myth of the common. In this paper I argue that Hegel is not only an interesting figure but also an obligatory step in this effort, and in doing so I will pay particular attention to a notion of being-in-common that arises in The Spirit of Christianity and its Fate from his criticism of the violence of law. Hence, Hegel is read here in the light of an unexplored relationship to Esposito's work in Communitas. (shrink)

This paper explores the way in which Agamben takes part in the dialogue on “impolitical communities” that was inaugurated by J. L. Nancy and was soon followed by authors like M. Blanchot, J. Derrida and R. Esposito, among others. Although Agamben’s ontological exploration of ‘whatever being,’ followed later by the political idea of form-of-life, are still very close particularly to Nancy’s work, the article will show in which ways Agamben’s view of a political coming community explores different paths and moves (...) in unusual registers, that help to understand in new ways the kind of inoperativeness involved in a contemporary rethinking of community. The notion of experience of thought as potentiality and its relationship to that “tiny displacement” of the world which Agamben seems to connect with his idea of a coming community will play a central role in the analysis. (shrink)

Shows the relevance of Schiller’s thought for contemporary philosophy, particularly aesthetics, ethics, and politics. This book seeks to draw attention to Friedrich Schiller (1759–1805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political playwright. The essays in this collection make two arguments. First, Schiller presents a robust philosophical program that can be favorably compared to those of his age, including Rousseau, Kant, Schelling, and (...) Hegel, and he proves to be their equal in his thinking on morality, aesthetics, and politics. Second, Schiller can also guide us in our more contemporary philosophical concerns and approaches, such as phenomenology, hermeneutics, aesthetics, and politics. Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others. María del Rosario Acosta López is Associate Professor of Philosophy at DePaul University. She has published several books, including La tragedia como conjuro: el problema de lo sublime en Friedrich Schiller. Jeffrey L. Powell is Professor of Philosophy at Marshall University and the editor of Heidegger and Language. (shrink)

This paper mainly proposes to point out some aspects that render hermeneutics pertinent within the context of political discussion, defending it from attacks mostly stemming from a philosophy of critical consciousness such as Habermas’s, Adorno’s, and some of their followers. It will be shown, from Gadamer’s perspective, how hermeneutics responds to those critiques within its conception of understanding as a fundamental task and a primordial political space. Contrary to a philosophy that appeals to the need of “taking its distance” as (...) a starting point of critique, only place of a true political philosophy and political action, Gadamer’s hermeneutics proposes an alternative that deserves to be considered: it is in dialogue, in the shared space of understanding, rather than in critique, that humans un-veil the possibilities of what is, where the openness of their freedom is given and, consequently, where the space of politics develops –thus in action rather that in reflection. (shrink)

Se propone rastrear la interpretación que Schiller lleva a cabo en las Cartas sobre la educación estética del hombre del análisis kantiano del juicio de gusto puro como asociado con una suspensión de toda determinación que hace posible la experiencia de la belleza. Para Schiller, esto resulta en una temporalidad de lo bello experimentada como suspensión, que se torna adicionalmente en una suspensión de la temporalidad. El artículo muestra cómo este concepto resulta esencial para el concepto de crítica estética en (...) Schiller, que se relaciona con una capacidad de la experiencia estética de desactivar formas de violencia que, según el diagnóstico que Schiller propone en las Cartas, saturan su presente histórico. Con ello, el artículo pretende mostrar la pertinencia de la obra de Schiller para la configuración de este aspecto de la crítica filosófica-histórica. (shrink)

Este texto se propone responder a la pregunta acerca de la relación entre estética y filosofía de la historia a partir del examen de las teorías estéticas de Winckelmann (mediados del s. XVIII) frente a las reflexiones acerca de la historia de Burckhardt (finales del s. XIX), atravesadas ambas por el significado que adquiere en cada una de ellas el concepto de lo clásico. La idea es mostrar cómo una historia del arte como la de Winckelmann, cuyo criterio es el (...) arte griego como canon, trae necesariamente consigo una filosofía de la historia que la sustenta y la hace posible; a la vez que una reflexión sobre la historia como La de Burckhardt, que se presenta a sí misma como una respuesta a la tradición neoclásica y romántica que la precede, refleja tras de sí un pensamiento estético propio. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I (re)interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

Se mostrará cómo el pensamiento sobre lo trágico como género literario pero, más allá de ello, como metáfora de las dualidades características de la modernidad, jugó un papel fundamental en la configuración y el desarrollo del pensamiento de ambos autores. Tanto para Schiller, como para el joven Hegel, la tragedia se convirtió en el marco teórico y el espacio de referencia de una propuesta que, en el primer caso, intenta recuperar la posibilidad de la libertad del hombre en el mundo (...) y, en el segundo, interpretar el movimiento del pensamiento en la realidad. A lo largo del texto se destacarán tanto las similitudes como las diferencias entre ambos autores a partir de la manera como cada uno comprendió y asimiló lo trágico a su propia reflexión. (shrink)

In order to illuminate the very complex relationship between ethics and politics in the thought of Jacques Derrida, this paper stages the (dis)encounter between Hegel's and Derrida's notion of forgiveness. It will be shown how for these two authors forgiveness is closely related both with certain ‘impossibility’, and with the disclosure of a condition for rethinking the ethico-political realm. Both Hegel and Derrida seem to suggest that forgiveness opens up a realm in which something must remain ‘absolute’, that is to (...) say, ‘intact, inaccessible to law, to politics, even to morals’. And, for both, it seems to be precisely there, where something arrives at the verge of politics, that a thinking (and a re-thinking) of the ‘political’ becomes possible. The paper explores what kind of impossibility is staged in each case, and how can each one bring into light the risks and limits, but also the scope and significance of the other. (shrink)

Many have contended that non-classical logicians have failed at providing evidence of paraconsistent logics being applicable in cases of inconsistency toleration in the sciences. With this in mind, my main concern here is methodological. I aim at addressing the question of how should we study and explain cases of inconsistent science, using paraconsistent tools, without ruining into the most common methodological mistakes. My response is divided into two main parts: first, I provide some methodological guidance on how to approach cases (...) of inconsistent science; and second, I focus on a peculiar type of formal methodologies for the scrutiny of inconsistent reasoning, the _Paraconsistent Alternative Approach_ (henceforth, PAA) and argue that PAA can enhance a more accurate understanding of sensible reasoning in inconsistent contexts. (shrink)

Resumen En esta conversación, María del Rosario Acosta y Jean-Luc Nancy reflexionan sobre los distintos registros de la palabra "murmullo" y la relación que puede establecerse entre cada uno de ellos y la pregunta por la crítica política y de lo político en el pensamiento de Nancy. El aspecto sonoro del murmullo permite acercarse, por un lado, a una reflexión sobre la circulación del sentido en términos de resonancia. Conduce también a la pregunta por la singularidad de la (...) experiencia de la escucha en la constitución de ser-en-común, y por el papel del testimonio -y la desaparición de espacios para su escucha- en medio de las múltiples violencias que afectan nuestro presente histórico. Nancy revisa algunas de sus posturas anteriores frente a estas preguntas, profundiza en otras, y trae a colación temas nuevos que no se encuentran desarrollados en otros de sus escritos. Como texto inédito, esta conversación es un homenaje a su voz en el contexto de su muerte reciente. Nos recuerda que el murmullo de su pensamiento seguirá circulando entre nosotres.In this conversation, María del Rosario Acosta and Jean-Luc Nancy reflect on the different registers of the word "murmur" and the relationship that can be established between each of them and the question of the political and political criticism in the thought of Nancy. The sound aspect of the murmur allows us to approach, on the one hand, a reflection on the circulation of meaning in terms of resonance. It also leads to the question of the uniqueness of the experience of listening in the constitution of being-in-common, and of the role of testimony -and the disappearance of spaces for listening to it- during the multiple violence that affects our historical present. Nancy reviews some of his previous positions on these questions, delves into others, and brings up new themes that are not developed in other of his writings. As a previously unpublished text, this conversation is a tribute to his voice in the context of his recent death. He reminds us that the murmur of his thoughts will continue to circulate. (shrink)

El artículo aborda la pregunta por la tarea de la memoria histórica en Colombia desde una perspectiva filosófica, concentrada en los retos epistemológicos y éticos derivados de la elaboración e implementación de iniciativas de memoria en contex- tos de experiencia traumática. Se busca presentar y analizar estos retos desde las consecuencias conceptuales que los contextos traumáticos le plantean a los procesos de elaboración de memoria y a la práctica de escucha de testimonios provenientes de experiencias traumáticas. Se examinan los modos (...) para comprender, desde la filosofía, un aspecto de la tarea de la memoria que puede pasar desapercibido, con el propósito de imaginar e identificar cursos de acción y estrategias de escucha más responsables, inclusivas y plurales. (shrink)

RESUMEN El artículo aborda la pregunta por la tarea de la memoria histórica en Colombia desde una perspectiva filosófica, concentrada en los retos epistemológicos y éticos derivados de la elaboración e implementación de iniciativas de memoria en contex tos de experiencia traumática. Se busca presentar y analizar estos retos desde las consecuencias conceptuales que los contextos traumáticos le plantean a los procesos de elaboración de memoria y a la práctica de escucha de testimonios provenientes de experiencias traumáticas. Se examinan los (...) modos para comprender, desde la fi losofía, un aspecto de la tarea de la memoria que puede pasar desapercibido, con el propósito de imaginar e identificar cursos de acción y estrategias de escucha más responsables, inclusivas y plurales. ABSTRACT The article addresses the task of historical memory in Colombia from a philosophical perspective focused on the epistemological and ethical challenges posed by the design and implementation of memory initiatives in contexts of traumatic experience. It presents and analyzes those challenges on the basis of the conceptual consequences that traumatic contexts have on processes of elaboration of memory and on the prac tice of listening to testimonies arising from traumatic experiences. The study also examines ways to understand philosophically an aspect of memory that might go unnoticed, in order to imagine and identify more responsible, inclusive, and plural courses of action and listening strategies. (shrink)

Inconsistency toleration is the phenomenon of working with inconsistent information without threatening one’s rationality. Here I address the role that ignorance plays for the tolerance of contradictions in the empirical sciences. In particular, I contend that there are two types of ignorance that, when present, can make epistemic agents to be rationally inclined to tolerate a contradiction. The first is factual ignorance, understood as temporary undecidability of the truth values of the conflicting propositions. The second is what I call “ignorance (...) of theoretical structure”, which is lack of knowledge of relevant inference patterns within a specific theory. I argue that these two types of ignorance can be explanatory of the scientists’ rational disposition to be tolerant towards contradictions, and I illustrate this with a case study from neutrino physics. (shrink)

Like theories, reconstructions of episodes in the history of science can possess, or lack, certain virtues such that, when we face two or more different reconstructions of the same episode, we assume that we should choose the most “virtuous one”. However, we will argue that, with dissimilar reconstructions of the same episode, it is not always necessary to separate the “good ones” from the “wrong ones”, and that, as a matter of fact, each reconstruction could provide different but perhaps equally (...) relevant data about the episode, about science in general, and about particular philosophical theses. In order to help us to identify these benefits, we will present a criterion that guides the search for historiographical reinforcement of philosophical theses and we will use it to evaluate three different reconstructions of the same scientific episode. (shrink)

This document gathers together and translates Heidegger’s notes on Paul Klee that have been published up to now.

Most scientific theories are globally inconsistent. Chunk and Permeate is a method of rational reconstruction that can be used to separate, and identify, locally consistent chunks of reasoning or explanation. This then allows us to justify reasoning in a globally inconsistent theory. We extend chunk and permeate by adding a visually transparent way of guiding the individuation of chunks and deciding on what information permeates from one chunk to the next. The visual representation is in the form of bundle diagrams. (...) We then extend the bundle diagrams to include not only reasoning in the presence of inconsistent information or reasoning in the logical sense of deriving a conclusion from premises, but more generally reasoning in the sense of trying to understand a phenomenon in science. This extends the use of the bundle diagrams in terms of the base space and the fibres. We then apply this to a case in physics, that of understanding binding energies in the nucleus of an atom using together inconsistent models: the liquid drop model and the shell model. We draw some philosophical conclusions concerning scientific reasoning, paraconsistent reasoning, the role of logic in science and the unity of science. (shrink)

This paper proposes a reading of Walter Benjamin’s “The Storyteller” in connection to what Nelly Richard, in her diagnosis of traumatic forms of violence, has called “catastrophes of meaning.” Written, like Freud’s theory of trauma, in the wake of the first World War, I argue that Benjamin sees in storytelling the experience of an imparting or communication (Mitteilung) capable of conveying trauma without betraying its paradox—and thus, without either interpreting its excesses as meaningless or reducing its absences to mere silences. (...) Storytelling and the community of listeners it both depends on and institutes with its imparting, develops the possibility of a grammar of listening that would attend to what Richard diagnoses as the silences in traumatic testimony, the moments of rupture and breakdown that communicate the truth of its experience. Reading Benjamin along with Richard, the paper argues that Benjamin’s theory of storytelling is an attempt to search out new ways of truly listening to the fractures and shattering of language resulting from traumatic forms of violence, rather than merely filling the gaps left by their discontinuities and absences of “meaning.”. (shrink)

El pasado 23 de agosto murió el filósofo francés Jean-Luc Nancy, quien deja tras de sí no solo una obra extensa, sino toda una vida dedicada al pensamiento filosófico que ha sido determinante para el curso de la filosofía contemporánea. Jean-Luc nos deja sus escritos, así como la memoria de su generosidad y pasión por el pensar en común.

Se analiza el papel del pathos como condición de emergencia tanto del logos como de la episteme, lo cual nos lleva reconocer que a la par de una concepción “intelectualista” de la teoría platónica del conocimiento, en la que es necesaria la supresión de todos los elementos irracionales que nublan el juicio, existe otra perspectiva, sobre todo sustentada en el Fedro, en la cual el pathos, expresado como manía amorosa, no es solamente una etapa a superar para acceder a la (...) intuición de las Formas, sino que ella misma se convierte en una experiencia cognitiva que devuelve al conocimiento su carácter humano.We analyze the role of pathos as emergency condition for both, logos and episteme, which leads us to recognize that along with an intellectual conception of the Platonic theory of knowledge, that demands to abolish all irrational elements that cloud the judgment, there is another perspective, especially supported by the Phaedrus, in which pathos, understood as love like madness, is not just a stage to overcome in order to arrive at the intuition of Forms, but it becomes itself a cognitive experience that gives back to knowledge its human nature. (shrink)

This article is a translation of the third chapter of Part Four of Günter Seubold’s Kunst als Enteignis, 2nd ed.. It discusses Martin Heidegger’s notes on Paul Klee.